There’s something about old Hong Kong and Shanghai that lend themselves to ghost stories and mysteries. They share a similar history during World War II as well as traditions like the Tomb Sweeping and Hungry Ghost Festivals that honour the dead. The two cities are also known for stately old colonial homes, many of which still remain today. After Kristen Loesch lived in Hong Kong 15-20 years ago, she learned of Dragon Lodge, an abandoned old home on the Peak rumored to be haunted, and formed the story that would become her new novel, The Hong Kong Widow, an engaging ghost story that alternates between wartime Shanghai, 1950s Hong Kong, and present-day US and Hong Kong. To add an extra touch to this chilling story, Hong Kong artist Jiksun Cheung’s illustrations are scattered throughout the story.
From a general historical perspective, the current confrontation between mainland China and Taiwan is not difficult to explain. By the end of the 19th century, Qing Dynasty was teetering on the brink of collapse. Territories were carved out and handed over to foreign colonizers after failed battles. Taiwan was ceded to the Empire of Japan in 1895.
Mount Fuji is everywhere recognized as a wonder of nature and enduring symbol of Japan. Yet behind the picture-postcard image is a history filled with conflict and upheaval. Violent eruptions across the centuries wrought havoc and instilled fear. Long an object of worship, Fuji has been inhabited by deities that changed radically over time. It has been both a totem of national unity and a flashpoint for economic and political disputes. And while its soaring majesty has inspired countless works of literature and art, the foot of the mountain is home to military training grounds and polluting industries. Tracing the history of Fuji from its geological origins in the remote past to its recent inscription as a World Heritage Site, Andrew Bernstein explores these and other contradictions in the story of the mountain, inviting us to reflect on the relationships we share with the nonhuman world and one another.
Through the meddling of her older sister, Janavi, a young woman from Varanasi, India, a city on the Ganges, stumbles into an arranged marriage with Sagar. Sagar is a hydraulic engineer about to emigrate to Custer County, Montana (the “Indian Country” of the title of Shobha Rao’s new novel); he has been hired to remove a dam on the Cotton River.
In 1831, the India Gazette wrote about a group of radical young thinkers that it credited for an upheaval in social and religious politics in Calcutta. These were the Young Bengal, the proteges of Henry Derozio of Hindu College. These thinkers, according to Rosinka Chaudhuri, were India’s first radicals, trying to reshape Indian politics as it came under the sway of the East India Company and the British Empire.
A new book offers what many readers will find surprising insights into the circulation of texts in the Cold War among three neighbouring countries at odds with one another: North Korea, South Korea, and Japan.
Just around the founding of Israel, hundreds of thousands of Middle Eastern Jews were forced out or pressured to leave their countries of birth; one of these was Yemen. These Mizrahi Jews have traditionally been treated as second-class citizens in Israel.
A Cure for Chaos is one of the recent titles in Princeton University Press’s book series “Illustrated Library of Chinese Classics,” aimed at showcasing the Chinese classics in Zen Buddhism, Taoism, Confucianism, and more, in graphic form. With illustrations by the renowned illustrator CC Tsai, translation and introductory commentaries by philosophy professor Brian Bruya of Eastern Michigan University, the books in this series visualize the ideas that characterize Chinese philosophy.
The recent documentary, The Sea is Our Home immerses viewers in the vibrant yet precarious world of the Bajau Laut, whose stilt houses rise above the turquoise waters of Sabah’s east coast. While this film is centered on the sea nomads of Malaysia, the Bajau Laut can also be found in aquatic settlements across coastal Philippines and Indonesia.
Mani Rao, who counts acclaimed translations of Kalidasa and Bhagavad Gita from Sanskrit among her accomplishments, has long been a quiet force in South Asian poetry circles. Her latest extensive collection of original poems, So That You Know, is a work of poise and clarity of thought. The poems engage with diverse themes and resist straightjacketing, yet broadly they explore conversations, relationships, nature, life and death, and mythologies that flow into each other.
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