Latest in Non-Fiction

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  • “Time Will Pass Johnny” by Percy Herbert

    For anyone who grew up on British and Hollywood war films of the 1950s to the 1980s, Percy Herbert’s face is instantly familiar even if his name is not. He turns up in The Bridge on the River Kwai, The Guns of Navarone, The Wild Geese and dozens of others: the reliable “oh, that guy”…
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  • The cover of "The Manila Poker Club: Eisenhower, Quezon, and the Plan to Harbor Europe's Jews in the Philippines" by Mark Sy

    “The Manila Poker Club” by Mark Sy

    In the 1930s, up to 20,000 European Jews turned to Asia for refuge before Japan entered the war as an…
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  • “The British Indian Ocean Territory: A Secret and Strategic Cold War History” by Samuel Bashfield

    The British Indian Overseas Territory is the sort of place only a stamp-collector will have heard of. It’s more commonly…
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  • The cover of "Music Sets You Free" by Ryuichi Sakamoto

    “Music Sets You Free / How Many More Times Will I Watch the Full Moon Rise?” by Ryuichi Sakamoto

    First published in Japan in 2009, then followed by a second volume in 2023 written in the shadow of a…
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  • The cover of "My Neighbour the Dictator" by Tari Lang

    “My Neighbour, The Dictator” by Tari Lang

    The years immediately following Indonesian independence were optimistic ones. The early 1950s are remembered as the “parliamentary period” of pluralism,…
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  • The cover of "Rising China, Chinese Culture and Its Transformation in Southeast Asia"

    “Rising China, Chinese Cultural and its Transformation in Southeast Asia”

    The rise of China as a global superpower, and the myriad impacts of “rising China” on Southeast Asia have energised a sizeable volume of scholarly literature and punditry. Singapore’s Institute of Southeast Asian Studies (ISEAS)-Yusof Ishak Institute—one of the leading think tanks in Southeast Asia—has made notable efforts in explaining these impacts, especially in relation…
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Latest in Fiction

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  • The cover of "Taiwan Travelogue" by Yáng Shuang-zi

    “Taiwan Travelogue” by Yang Shuang-zi

    The winner of the 2026 International Booker Prize (and the 2024 US National Book Award for Translated Literature) is a piece of faux Japanese travel-writing, framed with an equally faux publication history. Aoyama Chizuko, an entirely fictional Japanese writer, travels to Japanese-occupied Taiwan in 1938 on an official lecture tour. After the War, her contemporaneous…
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  • The cover of "The Final Six" by Akinari Asakura

    “The Final Six” by Akinari Asakura

    A prestigious IT company sets six job finalists, all fresh out of university, an unusual task: through a group discussion,…
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  • The cover of “What's a Snow Leopard to You?” by Chen-Fu Hsu

    “What’s a Snow Leopard to You?” by Chen-Fu Hsu

    Chen-Fu Hsu, a Taiwanese writer interested in bugs, photography and geography, traveled to Tibet to gain first-hand experience with snow…
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  • “She Walks at Night” by Seishi Yokomizo

    She Walks at Night is the eighth Seishi Yokomizo mystery to be published in English since 2019 and features a…
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  • The cover of "This is Where the Serpent Lives"

    “This is Where the Serpent Lives” by Daniyal Mueenuddin

    In This is Where the Serpent Lives, Daniyal Mueenuddin unpacks the nuances of the Pakistani landowning class through rich, in-depth…
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  • The cover of "Patchwork Dolls" by Ysabelle Cheung

    “Patchwork Dolls” by Ysabelle Cheung

    In the title story of Ysabelle Cheung’s debut story collection Patchwork Dolls, the narrator Sophia and her childhood friends sell bits of their bodies so they can pay down their student loans, start businesses and afford luxuries. Mahika had sold her deep-set eyes, her nose, her dimples, her lips; Jumana her sharp, symmetrical cheekbones; and…
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